Cristina Kristal Rizzo, Riccardo Benassi


Dancemaking Cristina Kristal Rizzo with Annamaria Ajmone, Davide Valrosso, Sebastiàn Collado, Alice Raffaelli, Evelin Stadler Video, Sound, Texts, Set design Riccardo Benassi Voice Margareth Kammerer Video Assistance Jurij Magoga Translations Filipa Ramos, David Smith Additional Sound Mixing Sleazy Kid, Andrea Toscano Video Production Xing, GAMC Ferrara Tecnical sponsor 2Fit Srl Coproduction Bolzano Danza – Tanz Bozen, Museion



The armed wing of digital revolution is the transformation of every single room in an office - very shortly: the total indoor officialisation. The modular office decor, now present in all our household limbo, has generalized a common share, the choice of diplomacy as a unique style of life. But we should not considered the body, the decor and the architecture as three separate entities - especially because the only prison we are able to accept is the one each one of us has designed for himself. Bricks as bits, why? There is an affection connected with every single function of the body, from the movement of a foot ready to take a step to the movement of the lips just before speaking. The affection is simply the movement of a body in its potentiality, its capacity of being - or better say, of doing - passing through different situations. Step by step. What a shame, this means proprioception doesn’t exist at all, we are never present to ourself, even if it’s the best way of thinking ourself free. The affection is a vague body thought, it’s the movement of a thought or a thought on the move. There are some logic categories, as for example raptness, which we can use to describe this condition: to let oneself be captured by a situation or by an event could be a kind of freedom able to change us, able to make us expanding. Step by step, what’s next - what’s next ?

Riccardo Benassi www.365loops.com